Tag: Funk
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Thundercat live at O2 City Hall review – virtuoso bassist goes full jazz fusion
Thundercat may be one of the world’s most respected bassists, but in this exhausting set of samey solos his technical wizardry was largely lost to City Hall’s booming acoustics. Alex Walden and Bertie Kirkwood jointly report.
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Undertone’s best songs of 2023
From chart-toppers to hidden gems, it’s time to reminisce about the most remarkable musical moments of 2023, as we countdown the year’s greatest hits.
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Girl Ray live at Belgrave Music Hall review – playful disco gets lost in the mix
Playing to a sparse crowd in Belgrave Music Hall, Girl Ray’s undercooked hour of straightforward disco-pop had highlights but suffered from a muddy mix and was ultimately upstaged by their support act.
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KNOWER: KNOWER FOREVER review – a grand return for the LA duo
Louis Cole, Genevieve Artadi and an incredible collection of collaborators have crafted an album elevated far above any of their past music, shaping a promising future for the electronic funk duo, writes Matthew Rowe.
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Vulfmon: Vulfnik review – puts the future of Vulf into question
With rambling tangents and a confused mix of genres, Jack Stratton fails to deliver on an otherwise promising new identity yet again. Matthew Rowe gives a track-by-track rundown on why the latest album doesn’t live up to the potential harboured by Vulfpeck frontman.
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Jessie Ware: That! Feels Good! review – riotous party album makes for a worthy sequel
Continuing on from the success of her masterful 2020 release, That! Feels Good! is every bit as delightfully danceable as its predecessor, with more cheeky funk bass lines than you can wave a disco finger at.
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Couch live at Band On The Wall review – eight-strong funk group go all in
Every song was a showstopper for a celebratory final night of Couch’s debut international tour in an ambitious show packed with unrelenting funk-pop grooves, countless glorious solos and the best Harry Styles cover money can buy.
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Vulfpeck: Schvitz review – scattergun sixth lacks inspiration
A return after a prolonged hiatus could have spelt creative reinvention for Ann Arbor funk group Vulfpeck. Instead they continue to underwhelm on a sixth album let down by vapid hooks and lazy rehashes.
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Parcels live at O2 Ritz review – reaching for nightclub nirvana
Leaning heavily into the world of nightclub-ready dance music, a constantly evolving Parcels gave plenty of reason to dance the night away for an eager Manchester crowd. As a live act, they’re only getting better and better.
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Herbie Hancock live at Jazz à Vienne review – world class musician meets world class venue
On a memorable warm summer’s night in Vienne, Herbie Hancock found himself a spectacular venue to deliver one remarkable rendition of his famous compositions after another. Jazz’s answer to Paul McCartney, the 82-year-old remains the unparalleled titan of his genre.
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Dua Lipa live at first direct Arena review – a flamboyant new queen of British pop
No expense was spared on the Leeds leg of Dua Lipa’s victorious world tour, after 2020’s Future Nostalgia changed the face of modern pop. With slick transitions and memorable visuals, this was a performance dense with bona fide pop smashes and jaw-droppingly theatrical highlights.
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Cory Wong live at Manchester Academy review – utterly tireless
On his first post-pandemic UK performance the prolific funk guitarist aptly delivered a vast amount of music with flair, showmanship and boundless enthusiasm. A strong entourage of improvisers helped compensate for weak songwriting on a night when objective critique became difficult.
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Samm Henshaw live at Gorilla review – pristine at the cost of personality
With a lack of the real horns and backing singers that his densely-layered pop-soul hits demanded, Samm Henshaw was always fighting a losing battle on an underwhelming opening night in Manchester.
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Cory Wong: Wong’s Cafe review – nothing new from a band in disguise
Cory Wong’s latest project is ostensibly Vulfpeck’s sixth album, and it’s perhaps telling that the band have avoided official recognition for their efforts – Wong’s Cafe feels rushed and uninspired from start to finish, and is home to some of the most unremarkable songs in the band’s history.
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Silk Sonic: An Evening with Silk Sonic review – a modern blast from the past
When megastars Anderson .Paak and Bruno Mars first collaborated under the name Silk Sonic for their gorgeous retro single Leave the Door Open earlier this year they blew minds and topped charts the world over. Could the album that followed ever hope match the stellar quality of the lead single? Alex Walden seems to think…